Thursday, 30 June 2011

Death Becomes Us

What happens to you when you die? I don’t mean where will your soul or spirit fly to, I mean will your body be buried, cremated, dumped on a rubbish tip, set alight in a Norse longboat… what? In Mark Everett’s autobiography, Things the Grandchildren Should Know, he recalls his father’s request that his body be dumped in the rubbish; a stipulation E’s mother did not have the heart to carry out until long after his father’s death (thankfully she threw out his ashes, not his body). In our largely secular Western society, there is no obvious way of dealing with a dead body; while rituals have always surrounded the dead throughout history, in most religions and cultures, how do we now deal with the dead and dying? 

In the past there has always been a script to follow, whether it be a Catholic wake, a Protestant funeral, the preparation of a stone-age barrow filled with the dead persons possessions or a good, old-fashioned Egyptian embalming; the variations are endless. In a society where people have largely lost the belief that death leads to an afterlife or reincarnation, where our bodies are largely destined to become worm food or fertiliser, nobody wants to be reminded that death is an everyday event, largely unimportant to anyone outside the person’s immediate friends and family. Rituals of death are seen as outmoded, outdated or superstitious. Is it hypocritical to have a church service funeral, or a wake, or any kind of death ritual when you believe that your body is simply an empty and used shell once your consciousness has left it? I’ve always liked the idea of being cremated and having my ashes scattered at sea; is this a hopelessly romantic gesture, designed to inflate my dead ego? Or does it help my relatives and loved ones to see me off in style?


The issue isn’t just a lack of religion; it’s a lack of community. The Western world is such a highly populated place to be, and there’s no time to worry about each individual death. The obituary page is seen as the interest of the morbid; nobody else has the time to read about the death of one of the many local butchers, one of the numerous local policemen, etc. Collectively, we only care when one of our favourite celebrities dies; a phenomenon which has nothing to do with the death at all, but which is simply about eulogising over their contribution to our entertainment, and ignoring that they were a recluse for the last five years of their life, living with ill health and largely forgotten. Death is hidden, often in antiseptic hospital wards or behind closed doors. Is this a problem? Do we need death in our lives? My attention was grabbed recently by a Mexico “Death Cult” which is apparently growing in popularity amongst “drug traffickers and criminals.” Of course I don’t think it’s exactly healthy to revere death in such an over the top way; but I certainly think that’s it’s also unhealthy to have death hidden. When someone does have to deal with death the psychological effect might well be extremely damaging, if death has become something that appears in movies and television but never in real life.


It would appear that, perhaps subconsciously, we do have a desire to deal with death and have some manifestation of death in our lives. This appears not only in various visual mediums, such as film and television drama, but also in fashion. While previously only a semi-underground subculture, such as punk or metal, used death imagery in clothing and fashion, it is now a relatively frequent occurrence to come across children, teenagers, young adults and even middle aged people sporting skull and death imagery on t-shirts, bags and jackets. Only today the foster child under my parents care was dressed in a shirt to go to a birthday party; it was only when he took his jumper off that I noticed the skull and crossbones symbol imprinted on the breast. Death has become a cartoon presence in our daily lives, something we are desensitised to; in children’s clothing, it is a shorthand for the “naughtiness” of the child in question; in the clothes of mainstream, “hardworking”, middle class people it shows a mildly banal “alternative” streak to their fashion sensibilities. It’s a fairly common theory that we are desensitised to death in modern society; but does this increasing and almost unconscious wearing of death imagery also show a desire to see and deal with death? 

Wednesday, 29 June 2011

Can you take the terrifying adventure into unspeakable horror?

I watched this recently;



It was pretty great; it was the first movie adaptation to be based on Richard Matheson's I Am Legend, followed later by Omega Man (1971) and I Am Legend (2007), the latter starring Will Smith and allegedly being a bit of a stinker. I haven't seen it, but I think I ought to check it out. 

It's a very interesting concept for a movie, and I'd like to read the novel; essentially, without giving too much away, the central character (played by the always most excellent Vincent Price), is the titular last man to survive a now clichéd zombie/vampire apocalypse. He stalks the (un)dead by day, in an interesting mirroring (geddit, mirror?) of what the vampires stereotypically do by night; however, while the vampires are actually shambling oafish halfwits, Vincent Price's character, Dr. Robert Morgan, is an organised and extremely effective killer; making him a "legend" amongst the vampires, as a fearsome and frightening spectre of death in a world where vampirism is the norm. 

The film asks interesting questions about normality and the argument that "might makes right"; is it morally "right" for Robert Morgan to seek out and kill the members of another "race", when that race has annihilated and replaced his own? Is he simply a murderer of other sentient beings, or do humans take precedence if threatened at large, even if it is by creatures stronger and more adapted to survive than them? 

The film was genuinely creepy at points, and Vincent Price was as brilliant as ever; a tad melodramatic, and a scary presence even without the inclusion of vampires. 

In personal news, I didn't get the Columnist position I was gunning for at IdeasTap, and I didn't even get an interview for a job in Waitrose; which is essentially confirmation that my writing sucks and my practical skills are non-existent. I'd like to think that I didn't get the Waitrose job because I'm over-qualified and they didn't think I'd stay very long, but quite honestly I seriously doubt it. It's no good bemoaning the current economic climate either; I reckon I was simply sold a lie when I took on English as a degree subject, and I've pretty much wasted the last five years of my life as far as my career is concerned.

So that's an encouraging thought.

But hey, at least I know a fair bit about how to read books.

Tuesday, 28 June 2011

V-2 Schneider

I  braved a rainstorm yesterday to go and check out the Jeff Koons exhibition at the National Gallery of Modern Art in Edinburgh. I caught up with my friend Chris, who I haven't seen in a couple of years, and we had a pleasant day of art viewing. I wasn't massively impressed by the Koons work they had on displayed; I wasn't really disappointed, because I didn't expect an awful lot, and there were a couple of pieces that I enjoyed looking at, including an aluminium caterpillar that was painted to look like a blow up child's pool toy, and his giant multi-coloured cartoon animal mirrors.

We also had a look around at the permanent exhibitions there, and the August Sander: People of the 20th Century collection in the Dean Gallery really caught my eye. I'm sure I've seen it before, but I can't remember if it was elsewhere; it may have been in the Tate Modern:


August Sander - Self-portrait, 1936
Bricklayer, 1928
Pastry Chef, 1928
Young Girl in Circus Wagon, 1926
Secretary at West German Radio Station, Cologne, 1931
I really love that last photograph. The subject looks so androgynous, and is so evocative of Weimar Germany; her cool, nonchalant pose is fantastic. Strangely, it reminded me of this painting:

Otto Dix - Portrait of the Journalist Sylvia Von Harden, 1926 
According to the Weimar Art blog, the models are one and the same, so I'm pretty pleased with myself for having spotted it. 

Monday, 27 June 2011

Adventure Time!

Holy smokes, this is one of the greatest things I've seen in a long time. I'm not sure that this is the best episode that I've watched so far, because they've all been amazing, but it's the most relevant to the house searching that Heather and I have been doing recently:


Enjoy!

Sunday, 26 June 2011

Most illogical

I'm a writer with nothing to write about. It's not writer's block, I've just literally spent the last 9 months in a relatively stifling city (Durham), and I'm constantly aware that no one is reading this blog, and that makes it very difficult to force myself to write for the sake of keeping in practice, or for the sake of having an informal "portfolio" of articles. It's unfortunate that I have so little money, otherwise I'd certainly spend it on going out of my way to visit art galleries, or on seeing films, or on visiting the theatre, or on buying new music. It seems like a lame excuse, but without the time or the means to get anywhere I feel as if my critical and creative sensibilities are drying up.

I haven't begun writing my dissertation yet, which is another worry. I watched the entirety of this speech by Grant Morrison the other day; it's both enlightening and awkward:


The full lecture can be found on Youtube in parts, but the whole thing can be found here. 

It's interesting to watch Grant Morrison speak, rather than read his comics or read interviews with him. He constantly talks as if he's in a work of fiction; he so clearly wants to come across, and imagines himself, as a crazy, drugged up prophet of the counter-culture, and the luke warm audience reaction to this clearly stifles him slightly, particularly following that scream he does at the start. It's still a very lucid and engrossing speech though. 

There are certain pros and cons to being at home.

Pros:
- Free food and drink.
- Food and drink (and especially drink) is almost forced upon you at all times.
- A nice quiet room to work in, or read, or watch movies.
- Free phone and internet.

Cons:
- Missing one's significant other.
- A lack of freedom.
- A lack of anything to do (this might be specific to the town that I'm in). 
- An eventual drying up of the free food and drink rule (which admittedly hasn't come about just yet, but it always does), when your parents realise that you're taking too much of an advantage of it and it's costing them money and valuable alcohol. 

I think the cons outweigh the pros, overall, but it is nice to visit, and it's nice to hear seagulls again. 

Saturday, 25 June 2011

Wrath of the Math

I've been trying to read Relativity, Einstein's explanation of his theory. In the Preface he claims that "the present book is intended, as far as possible, to give an exact insight into the theory of Relativity to those readers who... are not conversant with the mathematical apparatus of theoretical physics." That's a description of me if ever I read one, so I thought I'd be held by the hand all the way through the process and I'd be able to impress people by explaining to them exactly what E=mc2 actually means. However, I think "as far as possible" might be the operative phrase; thus far I haven't lasted very long, but I will keep trying.

Speaking of Einstein, here's a picture of him hanging with Charlie Chaplin, from Awesome People Hanging Out Together:



I'm visiting home this weekend, waiting for our new flat in Salisbury to be ready to move into. I think I might pop in and check out the Jeff Koons exhibition in Edinburgh. I'm not sure what to think of his work; it seems to combine Duchamp's questions about "what is art?" with Warhol's answer that everything popular, banal and crass is art. Except I guess that neither of the would like me to call it "crass", because they're trying to avoid making such distinctions between "high" and "low" art. Anyway, I'm sure his work will be visually impressive. I hope they have one of his Balloon Dogs:

Jeff Koons - Balloon Dog
Or one of his Cracked Eggs:

Jeff Koons - Cracked Egg

Although I think they would have mentioned that on the website, as they're pretty famous works. 

I'm still looking for a job of course, so get in touch if you want to pay me to write some cack-handed articles about wrestling or art or whatever. 

Saturday, 4 June 2011

Flossy

Have a look at Heather's blog to see the poster she designed for the upcoming art event which we've been organising for The Bubble. Speaking of Heather, I bought a book about Lucian Freud from Oxfam the other day, and this looks quite a bit like her:

Lucian Freud - Girl With Kitten, 1947.